(in which Jason and Kate attempt to hold a weekly discussion about NBC’s Hannibal in spite of Jason’s insistence on leaving home for weeks at a time)
JASON: Let’s take a moment to celebrate the fact that, after leaving us all in the lurch for several weeks, NBC renewed Hannibal for a second season.
Now, let’s get back to “Buffet Froid,” an episode I found to be mostly effective but slightly troubling.
First, what I liked: almost everything. The opening sequence where Beth LeBeau is stalked and eventually killed by Georgia Madchen was creepy in a traditional horror-movie way that the show usually doesn’t get into, but man, did it work. That first scene proved that if Hannibal wanted to be a more traditional, killer-of-the-week, Criminal Minds-esque procedural, it would be the most stylish one out there.
Fortunately for us, that’s not what the show is. Can you imagine any other serial-killer-hunting show that would go so far out of its way to undermine the main character? Will’s blackouts are getting to a dangerous point now, where he’s almost convinced that he’s going to murder someone while he’s under. But this episode found a new way to demonstrate how unreliable Will is: the clock. When Hannibal asks Will to draw that clock, we see it the way Will does, as a normal (if hastily drawn) clock. But when Hannibal gets a hold of it, he sees it as it actually is, a messy scribble that displays a lack of spatial awareness. The blackouts tell us that Will doesn’t see everything, but that little scene with the clock tells us that even if Will sees something, it might not be true.
Then again, maybe the scene with the clock was only there to set up Will’s newly-discovered illness, which I’m uneasy about. It’s nice that the writers have an explanation for Will’s craziness besides “he saw some messed-up stuff and now he’s messed-up, too,” but it feels like kind of a cheat, too. One of the most obvious themes in the show–and the justification for all of the over-the-top violence–was the weight of Will’s ability, and the fact that it brings him dangerously close to the people he’s trying to catch. But now what I thought were the effects of that weight are just the symptoms of an inflamed brain.
Still, I respect the decision to bring a little more realism into the show, and it actually works nicely with my still-developing theory about the show’s major theme: the separateness of the mind and body. Short version: the way Hannibal barrages the viewer with images of the human body as an object are meant to amplify and connect to the central horror of the show, which is that one of the main characters eats people. On the furthest edge of this theory is the idea that the show is taking us through the proces that Hannibal himself went through, bringing us intellectually, if not emotionally (or so I hope!) to the conclusion that the human body is nothing more than meat.
In this episode, Doctors Lecter and Sutcliffe emphasize a distinction between the “brain” and the “mind,” and while we discover that Will’s problem is actually in his brain, Will himself still thinks the issue is psychological. I may be reaching here, but I think this actually furthers the separation between Will’s body and his mind, because his mind believes something is wrong with itself, with the real issue is his body.
Take it away, Kate! Please, before I disappear completely into my own navel-gazing. Oh, and if you’re taking requests: what do Dr. Lecter’s actions in this episode tell us about his relationship with Will? Does it reveal his true feelings, or has nothing really changed?
KATE: I’m on the fence about Hannibal’s plot line this week. Actually, I’m all over the place about it. In terms of the show’s development and the character arcs, I thought this was a fabulous episode. Hannibal’s decision to lie to Will, therefore putting his life in danger seemed par for the course. After all, Hannibal’s relationship with Will is essentially about curiosity and psychoanalysis. He may like Will on a personal level, but why would that stop him from using Will as a lab rat? Hardly. He is a literal sociopath. He may be romancing Dr. Bloom over wine and dinner in one episode, but it’s not going to stop him from knocking her unconscious in another. Let’s not forget that Hannibal knows who Buffalo Bill is throughout the entirety ofSilence of the Lambs, but refuses to let Clarice know the identity, simply because he likes watching her grapple with his riddles. He’s kind of a jerk like that. There’s a similar development going on here. While encephalitis is hardly the same thing as being stalked in a basement, it does speak to Hannibal’s motives regarding those he cares for.
Then there’s his decision to kill Dr. Sutcliffe. Did he do it because he found Dr. Sutcliffe morally repugnant? The man did agree to keep a serious medical diagnosis from his patient just because Hannibal told him to. Did he do it to protect Georgia or draw her out of hiding? Probably not. Did he do it to keep Will’s condition to himself? I’m most inclined to go with theory. Hannibal needed a neurologist to confirm Will’s condition and found himself backed into a corner. He either has to kill Dr. Sutcliffe or be stuck with him in some sort of secret pact for the rest of time. To me, this only underscores Hannibal’s connection to Abigail Hobbes. He’s in a similar scenario where she is concerned, but goes out of his way to keep her safe. He helps her to conceal all of the skeletons in her closet, but no one can really understand why.
All of this is essentially to admit that I can’t say why Hannibal does what he does. Much like the serial killer showdown from a few episodes ago, it doesn’t have to make sense as long as it showcases Hannibal in a weird rubber suit.
Also, can we talk about how Hannibal can sniff illness? Or that he was a playboy in medical school? Why isn’t that show on TV?
JASON: Be patient, Kate. If this show stays on the air for a few more seasons, I bet we’ll end up with a Spartacus-style prequel season, which will hopefully focus on Hannibal as a med-school playboy and ignore the part where he lives with his Japanese aunt while hunting his sister’s killers… although the latter sounds more like a tv show that might actually get made. Oh, I’m sad, now.