Time travel is cool. If you don’t get too hung up on the confusing bits—or pull a Looper and just have fun with them—it’s a fantastic storytelling engine, offering up plenty of ways to explore predetermination, destiny, chaos theory, and other things like that. The first episode of Continuum provided the bare bones of a time-travel story that would be light on philosophy but heavy on action. The premise just screams “pulpy fun:” a police officer from the future has to track down a group of terrorists that have escaped into the past? It’s like a reverse-Alcatraz! In another reversal of Alcatraz, it was actually good.
It wasn’t perfect, though. The main character, Kiera Cameron, was a bit of blank slate, not helped out by the underwhelming performance of Rachel Nichols. The emotional core of the show is that Kiera is trapped in the past, separated by sixty years from her husband and son. However, we only spent about ten minutes in Kiera’s time before she and the prisoners vanished, so we don’t get to spend any time with her family. I applaud the show for wanting to get things moving, but it’s hard to sympathize with Kiera when her husband and child only exist in an abstract sense… and it doesn’t help that her son is the kind of annoying child character that no one likes.
Once Kiera arrived in the past, she hooked up with a local police force in order to track down the escaped terrorists, which is fine, except Kiera passed herself off as Portland police officer and no one ever asked for her badge. It was the kind of plot hole I was willing to overlook as long as the show offered more cool stuff with Liber8 (the terrorists) and Alex (Kiera’s new paradox-inducing sidekick) but it did make the show a little stupider than it needed to be.
To my delight, the second episode of Continuum, “Fast Times,” addresses the show’s biggest problems in the first ten minutes. We open with a flashback to Kiera’s first day as a Protector (read: future-cop), and I’m not sure if it’s because Rachel Nichols stepped her game up or if the writers realized that the main character needed to be a little more human, but she is immediately more interesting to watch. We see a bit of social-awkwardness peeking out through the cracks in her tough-as-nails future-cop exterior, making her more relatable. To me, at least. Maybe you don’t have that sort of problem, I don’t know.
Anyway, Kiera’s discomfort in social situations continues into the next present-day scene, where the false identity she used in the first episode is immediately revealed. By the end of the episode she’s got the whole thing settled, setting up a more thorough false identity with the help of her super-hacker sidekick. I was a little disappointed that the show was sticking with the police precinct setting, but I was just glad that they addressed it.
Even if the law-enforcement setting/supporting characters are a played-out television cliché, it makes sense that Kiera would hook up with a new team to take down Liber8. The only worry I really have about the setting is that it would transform the show into another boring procedural. Alcatraz—boy, that show is really taking a beating—had a lot of promise but immediately squandered it and became a run-of-the-mill cop show, with the science-fiction aspect reduced to window dressing.
Continuum put any fears I had to rest in this episode. Whether it was furthering several interesting plotlines—what’s the deal with Alec’s family? Is that one member of Liber8 starting a new life in the past?—or building the climax around a failed attempt to utilize nuclear fission to activate a time-travel orb, the writers have made it clear that this is not going to be another CSI clone.
Some things still come a little too easy, like when the wife of the kidnapped doctor helps out Kiera. Her husband was just kidnapped by terrorists, but when another stranger comes to the door looking for him, the woman offers her total assistance almost immediately. It’s a small problem, though, and I still can’t fault the show for wanting to keep things moving. Continuum ain’t Looper, and my enthusiasm might fall off if Kiera spends the entire second half of this season sitting around on a farm.
Hopefully, the show will continue to use flashbacks to flesh out Kiera’s character, although her son is still grating, even in the small glimpse we get of him in this episode. Maybe the whole “I get two tuck-ins?” doe-eyed innocence thing plays better for people who have children. For the rest of us, it’s like nails on a chalkboard… or maybe that’s just me, too. Either way, if Continuum can keep developing its characters and deliver a cool gunfight in every episode, it’s going to turn into quite the show.